“Miranda Lambert and I might have made quite a team back in the day when I still drank tequila, smoked roll-your-own cigarettes, and danced with strangers. Maybe she gives that back to me, a time in my life when I stupidly loved the rawness of making mistakes and testing boundaries.”
“I wrote red, white, and blues because I believe poetry can still tell the truth when other forms have failed us.”
“I love loud music in desert bars, especially on a jukebox, and throughout the ’90s, which was when I worked on this book, such establishments were plentiful.”
“It is my great pleasure to share with you the music that soothed me and influenced me, that gave me the confidence to listen to my inner voice.”
“The book is divided into five sections of three essays each, and I’ve picked one song (and occasionally a bonus track) to accompany each essay.”
“Music is woven throughout the book, as it is woven through my life; I started off playing classical violin, then fell in love with fiddle music, indie rock, and songwriting, and have been combining those ever since.”
“I think Horses is a response to pressure. I imagine the book opening with sound, disrupted, distorted, but oddly in sync as it rises slowly from the dark.”
“The sonic quirk started in St. Louis, in my early teens. As the act of stringing sentences together moved beyond pleasure into something earnest, even sacred, it became harder to write without music…”
“Because my beautiful doomed daughter Anna loved music so much—it was her balm, her joy—music is a thread through my memoir, A Ribbon for Your Hair.”
“The narrator of HOVEL is trying to defamiliarize the familiar world; she’s trying to see the world anew by probing it from as many strange angles as possible.”